Take The Skinheads To Bristol, Take Them To Bristol

The Bristol Watershed's website is explaining just why 15 year olds can see Shane Meadows' This is England in their city but everywhere else in the UK, audiences will need to be over 18.

Following the classification of Shane Meadow’s latest coming-of-age film This is England as an 18 certificate by the British Board of Film Certification (BBFC), Watershed’s Head of Film Programme, Mark Cosgrove, applied to Bristol City Council’s licensing committee to request that the film be re-classified to enable teenagers to see this important film. We are delighted to announce that the committee unanimously voted to re-classify the film for Bristol audiences and gave it a 15 certificate.

Mark originally saw the film at the Berlin Film Festival in Feb ‘07 in a strand aimed at audiences aged 14 and over and was surprised by the classification decision of the BBFC. Feeling strongly that teenagers should see this powerful film, which draws on the director’s own youth and tackles the moral dilemmas of growing up amidst bullying and peer pressure, Mark applied to the local licensing committee, who agreed with his opinion of the film.

I agree that the issues in this film are clearly of specific relevance to teenagers - second to, perhaps, the age group that were teenagers in the 1980s.

Oxford's council, here, have regularly permitted screenings of unrated films - a totally uncut Last House on the Left being one of the most hyped and best attended. This was in the era before DVD, and I doubt such a screening would be one half as popular now.

But it can cut the other way too - Westminster Council, at the heart of London, banned Cronenberg's Crash outright. Viewers wishing to see the film had to walk a few hundred metres or take a trip on the underground for a minute or two to get out of the district. I suppose it was a symbolic stand.

So This Is This Is England

This is England is the latest film from Shane Meadows. If you want, you can see Meadows play darts with Mark Kermode this Saturday night on BBC2's The Culture Show. Kermode is clearly a dangerous man - it was while he was interviewing Werner Herzog that the sniper struck. And it was during his Five Live review of March of the Penguins that I almost broke my fist, foot and teeth on the radio.

I wonder if either Kermode or Meadows will get a dart stuck in their head, like Shaun, or in their back, like my sister? I'll have to tune in and see, I suppose. Quite exciting.

The trailer for This is England has now gone online at the website for the PR company responsible for flogging this film to the UK (and you can download it with a right-click, should you desire). Wot no Paddy Considine?

A Pub Shoe, Innit?

Tonight's Culture Show on BBC2 featured Mark Kermode playing pool with Danny Boyle, and a trailer for next week when he's going to play darts with Shane Meadows. I hope Michael Winner's getting better, they'll needing him at the fruit machine the week after, I expect.

Why are so many British filmmakers so bad? As fars as true greats go, wll, we've got Edgar Wright and Lynn Ramsey and... Garth Jennings... (of course, how could I forget Garth Jennings... doh!)...

Er... Um... there's always Richard Curtis. How many of you are going to agree with that? I love Curtis, but I know he's not a popular choice amongst bloggers and blog readers.

Some of the greatest directors of all time came from the UK: Alfred Hitchcock, Alexander Mackendrick and Alan Clarke (The Three Als) are amongst the very best from anyplace, at any time. And now?

I suppose there's Terry Gilliam. He's forfeit his US citizenship, so I think we can claim him now.

Maybe the fact that there's almost no film industry in the UK is part of the problem; maybe the fact that the prevailing British film culture is one of imitation is another.